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濱谷聖
アーティスト 絵画修復士
イタリア・フィレンツェにて絵画修復と古典絵画技法を学ぶ。主にテンペラと油絵の混合技法による作品を制作。古典絵画の模写と絵画素材のサンプル制作により、絵画素材と技法について絵画制作技術と光学調査の観点より研究をおこなう。

多摩美術大学 美術学部 絵画科油画科卒業
Istituto per l’arte e il restauro “Palazzo Spinelli”  Corso restauro dipinti su tela e tavola (Firenze, Italia)卒業
絵画修復士資格取得(Regione Toscana, Italia)

絵画修復師 Massimo Seroni氏 に師事 (Studio Fortezza, Firenze, Italia)。
フォトグラファー 松谷靖之氏に師事 写真撮影全般と現像・プリント技術をを学ぶ

**Satoru Hamaya**
Artist / Conservator

Studied painting restoration and classical painting techniques in Florence, Italy. Creates works primarily using a mixed technique of tempera and oil painting.

Through the reproduction of classical paintings and the creation of painting material samples, conducts research on painting materials and techniques from the perspectives of painting production methods and optical analysis.

Graduated from Tama Art University, Department of Painting, Oil Painting Course.
Completed the painting restoration course (canvas and panel) at the *Istituto per l’Arte e il Restauro “Palazzo Spinelli”* in Florence, Italy.
Certified Painting Conservator (Regione Toscana, Italy).

Studied under Massimo Seroni at the painting restoration studio *Studio Fortessa* in Florence.
Studied photography under photographer Yasuyuki Matsutani, learning comprehensive photography, development, and printing techniques.

活動実績

・2003-2008年 都内絵画修復工房・教育機関に所属

・2008年 テラヘルツ分光用イタリア古典絵画調査撮影資料作成、独立行政法人 情報通信研究機構 NICTより依頼

・2008年 フィレンツェ・サン・ロレンツォ教会所蔵、十字架磔刑像、木彫、1500年代 処置前状態調査と撮影

・2008年 フィレンツェ・サン・ロレンツォ教会所蔵、ロレンツォ・リッピ、油彩(板に接着)1600年代、処置前状態調査と撮影資料作成 Dambra Laboratorio di Restauro, Gabriella Forcucci氏より依頼

・2008年、2001-2002年 絵画修復工房 Studio Fortezza (Firenze), Massimo Seroni 師事

・2009年 美術館所蔵作品調査撮影と付随する修復業務、Salvador Dali、油彩、板絵

・その他 企業、および所蔵作品調査撮影と付随する修復業務

・都内ギャラリー・美術館にて個展とグループ展展示 アートスクールの講師担当

・2010年 個展 中川画廊
・2022年-2024年 12月 ナナ展 国立新美術館

Achievements

  • 2003–2008: Affiliated with a painting restoration studio and educational institution in Tokyo.
  • 2008: Created documentation for the investigation and imaging of classical Italian paintings for terahertz spectroscopy, commissioned by the National Institute of Information and Communications Technology (NICT).
  • 2008: Conducted pre-treatment condition investigation and imaging of a crucifix sculpture (wood, 16th century) owned by the Church of San Lorenzo, Florence.
  • 2008: Prepared documentation and conducted pre-treatment condition investigation and imaging of a painting by Lorenzo Lippi (oil on panel, 17th century) owned by the Church of San Lorenzo, Florence; commissioned by Dambra Laboratorio di Restauro, Gabriella Forcucci.
  • 2008: Completed an internship at a private restoration studio in Florence under Massimo Seroni at Studio Fortezza.
  • 2009: Conducted investigation, imaging, and restoration work on a museum-owned painting by Salvador Dalí (oil on panel).Other Work: Conducted investigation, imaging, and restoration work for artworks owned by companies and private collections.
    Participated in solo and group exhibitions at galleries and museums in Tokyo; served as an instructor at an art school.
  • 2010 : Solo exhibition at Nakagawa Gallery.
    2022– 2024 Dicember: Participated in the Nana Exhibition at the National Art Center, Tokyo.

研究発表

・テラヘルツ波による非破壊検査の可能性、福永香、寳迫巌、小川雄一、濱谷聖、文化財保存修復学会第29回大会、2007年

・光学調査における実践的カラーチャートの提案、濱谷聖、深沢香奈、松崎美香、文化財保存修復学会第29回大会、2007年

・紫外線蛍光画像を応用したマルチスペクトル紫外線疑似カラー画像の提案、濱谷聖、文化財保存修復学会第31回大会、2009年

・調査撮影の新たな指標となるカラーチャートの提案、濱谷聖、文化財保存修復学会第32回大会、2010年

Academic presentation

Possibilities for non-destructive testing using terahertz waves, Kaori Fukunaga, Iwao Takasako, Yuichi Ogawa, and Kiyoshi Hamatani, 29th Annual Meeting of the Japan Society for the Conservation of Cultural Property, 2007

Proposal of a practical color chart for optical surveys, Kiyoshi Hamatani, Kana Fukazawa, Mika Matsuzaki, 29th Annual Meeting of the Japan Society for the Conservation of Cultural Property, 2007

Proposal of multispectral ultraviolet pseudo-color images using ultraviolet fluorescent images, Kiyoshi Hamatani, 31st Annual Meeting of the Japan Society for the Conservation of Cultural Property, 2009

Proposal of a color chart as a new indicator for survey photography, Kiyoshi Hamatani, 32nd Annual Meeting of the Japan Society for the Conservation of Cultural Property, 2010

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